Altered dominant chords ...

function the same as normal dominant chords.

When resolving altered dominants, you must ...

resolve in the direction of the alteration.

I am angry at Mr. Burrows for saying that a minor "v" never functions as a dominant.

No, I'm an intelligent college student., No, since we covered Baroque & Classical Music., Yes, but that's true in the Baroque & Classical Eras.

The V7 chord with a lowered 5th must ...

must be labeled as a dominant and not as a Fr.6 chord.

In what position do you find altered dominant chords?

almost always in root position.

Altered dominants are most commonly found in ...

music of the middle and late Romantic era.

When doubling pitches in an altered dominant ...

you never double the altered pitch(es).

The altered dominant with a raised fifth ...

never occurs in the minor mode.

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Chapter 11 Reading Quiz

12 termsStudBud Administration14 plays

A review of the concepts presented in Chapter 11 of "Music: In Theory and In Practice" by Benward & Saker.

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Questions 12

Answers

1
Altered dominant chords ...
function the same as normal dominant chords.
function as passing chords and neighbor chords.
replace the tonic chord when preceded by a dominant-7 chord.
are not used in the Romantic Era.
2
When resolving altered dominants, you must ...
resolve down step-wise.
resolve in the direction of the alteration.
keep the altered fifth as a common tone.
resolve up matching movement of the root.
3
I am angry at Mr. Burrows for saying that a minor "v" never functions as a dominant.
No, I'm an intelligent college student.
No, since we covered Baroque & Classical Music.
Yes, but that's true in the Baroque & Classical Eras.
Yes, but I don't know why.
4
The V7 chord with a lowered 5th must ...
only be used in a major key.
must always be preceded by a N6 chord.
must be labeled as a dominant and not as a Fr.6 chord.
always be spelled as a French Augmented 6th chord.
5
In what position do you find altered dominant chords?
almost always in root position.
always root position.
almost always in inversion.
always in first-inversion.
6
What is the topic presented in Chapter 11?
Chromatic Mediants
Altered Dominants
15th and 17th chords
Romantic Alterations and Tone Clusters
7
When resolving an altered dominant, you may have to double the third of the new chord.
True
False
8
Altered dominants are most commonly found in ...
music of the middle and late Romantic era.
music of the late Baroque era (composers other than Bach).
music of the early Romantic era.
music of the Classical era.
9
Altered dominants, like diatonic dominants, proceed in a circle progression to the tonic.
False
True
10
Altered dominants are found in ...
only as a secondary dominant.
major keys only.
both major and minor keys.
minor keys only.
11
When doubling pitches in an altered dominant ...
you never double the third.
you double the highest altered pitch.
you always double the third.
you never double the altered pitch(es).
12
The altered dominant with a raised fifth ...
must also have a raised seventh in the minor mode.
only occurs in the minor mode.
never occurs in the minor mode.
must also have a raised third in the minor mode.

Chapter 11 Reading Quiz Flashcards | StudBud