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AP Art History Unit 3 Part 2 Flashcards | StudBud
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AP Art History Unit 3 Part 2
AP Art History Unit 3 Part 2
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This quiz focuses on renaissance era works from Unit 3 of the AP Art History curriculum.
Flashcards
25 cards
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Questions
25
Answers
1
What was the purpose of the Palazzo Rucellai?
palace for the royal Rucellai dynasty
public hall for the Rucellai business and traders
private dwelling for the Rucellai family and servants
monastery for the Rucellai monks
2
What style/period does the Pazzi Chapel represent?
Renaissance
Baroque
Medieval
Romanesque
3
The space depicted in Raphael's
School of Athens
is inspired by
the Sistine Chapel
the room in which it is painted
Bramante's plan for St. Peter's
a combination of architecture & painting in Baroque period
4
What is one difference between Lippi's painting and earlier depictions of Mary and Jesus?
Lippi's halos are a lot more subtle.
Earlier paintings did not feature angels.
Earlier artists had a better understanding of depth.
Lippi's colors are a lot less saturated than earlier works.
5
Which of the following is NOT a characteristic of Mannerism?
esoteric subject matter
elongated proportions
irrational spacial environments
subtle coloration & lighting effects
6
Works like this were denounced by
Pope Julius II
Fra Girolamo Savonarola
Teresa of Avila
Fra Filippo Lippi
7
________ is a Jesuit church that contains a fresco entitled "Triumph in the Name of Jesus."
San Carlo alle Quattro Fontane
San Vitale
Il Gesù
Church of Sainte-Foy
8
Who are the figures in Raphael's "School of Athens?"
great Roman statesmen
the greatest thinkers of the Renaissance
well-known thinkers of classical antiquity
Popes throughout history
9
How does the subject matter connect to the patron's intentions
The figure defeated a larger opponent as did Florence
The figure was inspired by works in the patron's collection
Bronze is a material symbolic of the strength of the patron
The figure was later crowned king as was the patron
10
Who does the nude woman in this Titian painting represent?
Venus
Minerva
Eve
Juno
11
The
Entombment of Christ
is an example of artists desire to
create artworks not based on classical examples
convey a shallow sense of space
create unity & clarity
us an atypically shaped frame
12
What Ancient Mediterranean sculpture does Donatello's "David" most resemble?
Unknown, "Anavysos Kouros"
Unknown, "Augustus of Prima Porta"
Apollonius, "Seated Boxer"
Polykleitos, "Doryphoros"
13
Who was Venus the god of?
love
luck
wisdom
victory
14
What is one older interpretation of the use of the Arnolfini Portrait?
commission for a monastery
pregnancy announcement
advertisement for Arnolfini's cloth
marriage contract
15
Recent scholarship suggests that Titian's
Venus of Urbino
was meant to represent
a classical goddess
a newly married woman
a specific individual
a Venetian courtesan
16
What style/period does Botticelli's "Birth of Venus" represent?
Baroque
Italian Renaissance
Northern Renaissance
Early Christian
17
Jan Van Eyck's Arnolfini portrait is characteristic of northern art due to its use of? (Pick 2)
intricate detail
abstract forms
historical subject matter
obscure symbolism
18
What artistic style did Pontormo use for "Entombment of Christ?"
Mannerism
Naturalism
Stylization
Realism
19
How is Judas distinguishable in da Vinci's "Last Supper?"
He is in shadow, his face not visible.
He is holding a knife.
He faces the viewer directly.
He is the highest horizontally in the frame.
20
What Biblical scene is depicted on the Sistine Chapel altar wall?
Crucifixion
Last Judgment
Ascension
Annunciation
21
The composition of this painting was most likely influenced by
Egyptian funerary portraits
Etruscan frescoes
Greek vase painting
Roman mosaics
22
The Palazzo Rucellai is most likely referencing which famous building from antiquity?
Hagia Sophia
The Temple of Nike Athena
The Pantheon
The Colosseum
23
What Christian scene does the Merode Altarpiece depict?
Ascension
Annunciation
Lamentation
Visitation
24
What does the word "Renaissance" mean?
Rebirth
Restoration
Retribution
Relocation
25
Madonna & Child with two angels
reflects the Renaissance's attitude toward more
Ethereal & heavenly vision of Mary & Jesus
Pagan & mythological approach to christian imagery
Formal & forbidding image of divine figures
Human & approachable interpretation of heavenly figures
