MUSC 304 Final Exam Quiz

5. At the end of Dido and Aeneas ___________.

15. The tonal landmarks of a sonata form movement in a major key can best be described as ___________.

6. Agréments are best described as ___________.

4. The clavichord is ___________.

3. In Mozart's concertos, the orchestra ___________.

9. Handel's style can best be described as ___________.

___________ was Mozart's final work, left unfinished at his death.

He pioneered sonata form and double return, among other hallmarks of Classical style, in his 500 keyboard "sonatas":

2. In Beethoven's Symphony No. 3, a scherzo movement is inserted in place of ___________.

11. Johann Jacob Froberger's Dix suittes de clavessin demonstrates the German obsession with ___________ style.

17. What happened at the end of the first performance of Haydn’s Symphony No. 45 (“Farewell”)?

Viol consorts performed an early type of ______ music.

10. For Metastasio, the aria ___________.

19. Which of the following best describes a rondo form?

21. A cadenza is best described as ___________.

12. ___________ is the oldest work to have a continuous performance tradition.

8. A sonata da camera was typically played ___________.

Handel's composing career took him from his native Germany to Italy and, for the last 47 years of his life, _________.

7. In the eighteenth century, opera seria plots generally ___________.

The episodes in baroque concertos often feature a group of soloists known as the:

24. Beethoven's late works reflect an emphasis on ___________.

J.S. Bach wrote this two-volume book of preludes and fugues, arranged in ascending order of all 24 major and minor keys:

16. Haydn's String Quartet in E Major (“The Joke”) displays ___________.

14. Which of the following is not true about Mozart's last three symphonies?

22. The ___________ Orchestra was the premier instrumental group of the eighteenth century.

This man was considered to be England's first great opera composer:

25. J.S. Bach's main instrument was ___________.

13. Early eighteenth-century opera overtures were cast in ___________.

Bach composed for all major baroque vocal and instrumental genres EXCEPT: