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Venetian High Renaissance Flashcards | StudBud
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Venetian High Renaissance
Venetian High Renaissance
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Answers
1
The correct identification of this work is:
Titian, Assumption of the Virgin, Santa Maria dei Frari, Venice, 1516-1518
Raphael, Marriage of the Virgin, 1504
Raphael, Galatea, ca. 1512
Titian, Pesaro Madonna, Santa Maria dei Frari, Venice, 1519-1526
2
Which of the following statements IS correct?
Typical Central Italian/Roman-figures are monumental against landscape
Typical of disegno: clear contours and linear perspective
Typical of Venetian High Ren the artist uses subjects drawn from literature
Typical of colorito: sfumato and texture to suggest the atmosphere
3
Impasto is the use of a heavy, thick (rough) application of paint.
False
True
4
Which of the following statements is NOT correct?
His late-age style merges style and content
Colorito is exaggerated: loose brushwork suggests decaying of body
He uses impasto, a smooth glaze over the top surface
This is representative of Titian’s late-age style
5
Veronese’s painting also is classified as Mannerist, but its grand stage-like setting is thoroughly Venetian.
True
False
6
Raphael’s
Madonna of the Meadow
and Leonardo’s
Madonna of the Rocks
also are sacra conversazione.
False
True
7
All the following is correct, EXCEPT:
This type of painting is called a sacra conversazione
This type of painting is called a polyptych
Typical colorito-sfumato suggests the atmosphere that unifies the figures
Typical High Ren: balance of horizontals/verticals & pyramidal composition
8
Both Giovanni Bellini and Raphael approach their works through colorito.
True
False
9
Which of the following statements is NOT correct?
This was painted for the high altar of a Venetian church
Artistic license violated the rules established by the Council of Trent
This was painted for the dining hall of a Venetian monastery
Originally a Last Supper, the title was changed to appease the Inquisition
10
Which of the following are true about this work?
This artist introduced a new dynamism to pyramidal comp through a diagonal
Typical of colorito, the artist appeals to the sense of touch
Typical of disegno, the artist emphasizes the clarity of contours
Typical of High Renaissance the artist uses a pyramidal composition
11
Which of the following statements are correct?
She was a leading patron of the arts and had her own studiolo
Her motto was, “Neither hope nor fear”
Titian conveys her sense of keen intelligence and rationality
She had Bellini, Titian, Raphael and more decorate her alabaster chamber
12
Which of the following is NOT correct?
Typical of colorito, sfumato allows the edges to slip into shadow
Typical colorito-artist approaches space empirically not linear perspective
Typical of disegno, the figures are monumental against the landscape
The subject represents a poesia, painting as poetry
13
Which of the following would NOT be correct about this painting?
Typical Venetian-the artist unifies the composition through a golden light
It represents the typical Central Italian/Roman approach to landscape
The interest in pastoral scenes is typical of Venetian High Renaissance
The artist investigates nature and records it in detail
14
This was initially painted by ________ before being repainted by Titian in 1529
Giovanni Bellini
Veronese
Raphael
Giorgione
15
Which of the following is incorrect?
Typical of Central Italian/Roman art the figure appears sculptural
Typical of disegno, the painting displays stability within variety
Typical of colorito the surface has texture & appeals to the sense of touch
A reclining female nude is associated with Venice
16
Typical of Central Italian/Roman artists, disegno begins with drawing and results in a clear, sculptural form.
True
False
17
Which of the following statements are correct?
Tintoretto pushed Titian’s colorito approach even further.
The painting uses a dynamic diagonal to engage the faithful
It displays a clear and rational approach to the subject
He uses mystical, flickering light to represent the mystery of the Eucarist
18
Which of the following is NOT correct?
This was part of a room commissioned by the Duke of Ferrara
This was for the alabaster chamber of Pope Julius II
The artist quotes a famous ancient sculpture
This painting belonged to a room that included Bellini’s Feast of the Gods
19
Both Giovanni Bellini and Leonardo (among others) use sfumato.
False
True
20
All the following is true, EXCEPT:
This painting cemented Titian as the leading painter in Venice
Uses fresco for the painting
Initially rejected by the friars who thought the disciples were too large
Work is framed by the choir screen & bathed in light by the apse windows
21
Sacra conversazione: gathering of saints from all different epochs around a holy figure/s, generally the Virgin & Child
False
True
