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MSM Jazz History 4 Flashcards | StudBud
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MSM Jazz History 4
MSM Jazz History 4
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A review for Saltzman's Jazz History 4 midterm and final
Flashcards
140 cards
F
Practice quiz
P
Host live
L
Questions
140
Answers
1
Ornette Coleman's early composition "Jayne" is based upon the chord changes of this standard
I Got Rhythm
Out of Nowhere
Have You Met Miss Jones?
A Foggy Day
2
All of the following describe Cecil Taylor's piano technique EXCEPT
His technique is modeled on that of classical pianists
He sometimes plucks the keys delicately
His hands move so quickly that they become a blur
He pummels the keyboard with both hands
3
Pianist Bill Evans referred to the time-feel of his trio, where the pulse was implied, as
broken feel
internalized beat
organized chaos
4
All of the following are true of Miles Davis's early life EXCEPT
He graduated from the Juilliard School
He recorded with Charlie Parker
He sat in with the Eckstein band alongside Dizzy and Bird
He was raised in a wealthy family
5
All of the following are true of the group Oregon EXCEPT
Ralph Towner, originally a trumpeter, played acoustic guitar
Paul McCandless played oboe
Colin Walcott played the drum set
The bassist, Glen Moore, also played violin and flute
6
In 1954, Miles Davis helped establish hard bop with a series of recordings, including this tune
Sippin' at Bells
Boplicity
Walkin'
Now's the Time
7
Which is NOT one of the four albums Miles Davis made for Prestige to finish his contract?
Relaxin'
Burnin'
Steamin'
Workin'
8
The term
harmolodics
first appeared in the liner notes of this orchestral work
Inventions of Symphonic Poems
Skies of America
Change of the Century
Free Jazz
9
Which alternative term for avant-garde jazz was inspired by the title of an album by Ornette?
Fire music
The New Thing
Anti-jazz
Free jazz
10
At the end of his life, Coltrane recorded the album
Interstellar Space
, a duo with drummer:
Max Roach
Elvin Jones
Andrew Cyrille
Rashied Ali
11
T/F: Mahavishny Orchestra's first studio recording was
Birds of Fire
False
True
12
The first studio recording of the 1960's Miles Quintet was titled ___ and recorded in the year:
Miles Smiles; 1967
Nefertiti; 1968
ESP; 1965
Seven Steps to Heaven; 1963
13
All of the following are characteristics of postbop as exemplified by Miles' 2nd quintet EXCEPT
original compositions with new harmonic frameworks
harmonic ambiguity
a rhythm section so independent, like soloing all the time
mostly medium and slow tempos, avoiding very fast tempos
14
T/F: John Coltrane played in an ensemble led by Johnny Hodges in 1954
True
False
15
Which former Miles Davis band member formed the band Return to Forever, embraced electric keys
Chick Corea
Herbie Hancock
Joe Zawinul
Keith Jarrett
16
T/F: The record label ECM stands for European Classical Music
True
False
17
All of the following are true of Kind of Blue EXCEPT:
Davis didn't show the arrangements until the studio date
The drummer was Jimmy Cobb
It was an influential example of modal improvisation
Ahmad Jamal was the pianist on one tune
18
All of the following are characteristics of Ornette Coleman's "Lonely Woman" EXCEPT:
Most of the 1959 recording consists of melody statements
The bass avoids any suggestion of a tonal center
The form is AABA but without its usual rhythmic structure
It is his best-known and most frequently performed piece
19
Bill Evans recorded his composition "Waltz for Debby" in this year for this album
1961, Portrait in Jazz
1965, The Bill Evans Album
1963, Conversations with Myself
1956, New Jazz Conceptions
20
T/F: In Ornette's approach to improv, melody/rhythm are improvised; harmony follows the song
False
True
21
T/F: The titles of Ornette's album for Atlantic from 59-61 expressed a challenging attitude
False
True
22
John Coltrane's first commercially issued recording was this piece with Dizzy Gillespie
Woody 'N You
We Love to Boogie
Philly Shuffle
Honky Tonk Blues
23
All of the following are true of Ornette Coleman's early reception in New York EXCEPT:
Leonard Bernstein and Gunther Schuller declared him a genius
He had a long engagement at the Five Spot
Miles Davis and Mingus were skeptical about the music
No other established musicians came to hear his music
24
T/F: The Miles Davis Quintet from the 1950's debuted at the Village Gate in 1954
True
False
25
All of the following are characteristics of Ornette Coleman's "Lonely Woman" EXCEPT:
Most of his 1959 recording consists of melody statements
The bass avoids any suggestion of a tonal center
It is his best-known and most frequently performed piece
The form is AABA but without its usual rhythmic structure
26
From the fall of 1946 to 1952, Trane studies at this school with guitarist/composer ___
Not Dennis Sandole
Dennis Sandole
Placeholder 2
Placeholder
27
Pianist Herbie Hancock spent his formative years in Chicago, but came to New York in 1962 with
Donald Byrd
Mongo Santamaria
Miles Davis
Kenny Dorham
28
Which production technique did Miles Davis rely on for his 1960s and 1970s electric music?
direct-to-disk recording
digital editing
tape-based editing
recording only live concerts
29
Cecil Taylor recorded "Bemsha Swing" in 1956 for this recording on the Transition label:
Jazz Advance
Conquistador!
Looking Ahead
Unit Structures
30
T/F: Cecil Taylor performed duets with many drummers like Max Roach, Elvin Jones, Sonny Murray
True
False
31
T/F: "I Wish I Knew How It Would Feel To Be Free" was composed by Nina Simone
False
True
32
T/F: During one week in Oct 1960, Coltrane recorded music for
My Fav Things, Trane Plays Blues
True
False
33
All of the following are true of Albert Ayler's album
Spiritual Unity
EXCEPT
Ayler's tune "Ghosts" appears on two of the four tracks
It turned ESP-Disk into a major source for avant-garde jazz
It featured completely interactive playing by a trio
It was ridiculed by all in the jazz world
34
After the improvised solos on "Trane's Blues," Miles/Trane play the theme of __ recorded by __
"One O'Clock Jump," Count Basie and Lester Young
"The Hymn," Charlie Parker and Dizzy Gillespie
"The Theme," Miles Davis and John Coltrane
"Breakfast Feud," Benny Goodman and Charlie Christian
35
All of the following general parameter of avant-garde jazz are correctly described EXCEPT:
politics: entrenched in racial and antiwar struggles
instrumentation: limited to rhythm section plus horns
presentation: presented as serious, challenging art
36
T/F: Before leaving Prestige to record for Columbia, Miles recorded 5 albums in 2 sessions
True
False
37
All of the following are true of John McLaughlin EXCEPT
The Mahavishnu Orchestra became a template for fusion groups
All of the band's music was fully composed, with no improv
The tunes were based on meters derived from Indian tala
His style blended blues with flamenco and Indian classical
38
In Sep 1955, John Coltrane was discovered by Miles at the club ___, performing with musician __
Not Spider Kelly's ; Jimmy Smith
Spider Kelly's ; Jimmy Smith
Spider Kelly's ; Not Jimmy Smith
Not Spider Kelly's ; Not Jimmy Smith
39
The live recording of Ornette playing Klactoveedsedstene was from this club, city, and year
Balcony Club; Dallas; 1958
Five Spot; New York; 1959
Wally's; Boston; 1957
Hillcrest Club; Los Angeles; 1958
40
John Lewis arranged to have Ornette Coleman and Don Cherry attend this school, where he taught:
Lenox School
Lexington School
New England Conservatory
Granoff Studios
41
Abstraction
had a form of ABA, with the second A a retrograde of the first. This is called a:
Reflection
Palindrome
Stretto
Mirror image
42
In 1955 Miles Davis gained recognition for his version of ___ at the Newport Jazz Festival
'Round Midnight
My Funny Valentine
It Never Entered My Mind
If I Were a Bell
43
This piece by Morton Gould, recorded by Ahmad Jamal in 1955, contains the melody of Impressions
Valses
Pavanne
Courante
44
AACM stand for:
Association for the Advancement of Creative Musicians
Association for the Artistry of Creative Musicians
African American Creative Musicians
45
Thelonious Monk helped develop bebop with Kenny Clarke as the house pianist at this club
Onyx Club
Minton's Playhouse
The Five Spot
Monroe's Uptown House
46
All of the following played in Ornette Coleman's early groups EXCEPT:
John Lewis
Ed Blackwell
Charlie Haden
Billy Higgins
47
T/F: New York Philharmonic conductor Leonard Bernstein proclaimed Ornette Coleman a genius
False
True
48
Before joining the John Coltrane Quartet, pianist McCoy Tyner was performing in this band
Art Blakey and the Jazz Messengers
Benny Golson/Art Farmer Jazztet
Lee Morgan Quintet
Miles Davis Quintet
49
In 1958, Miles Davis accomplished all of the following EXCEPT
He recorded Porgy and Bess with Gil Evans
He recorded Milestones with Cannonball and Coltrane
He recorded Kind of Blue
50
Around the time of
Bitches Brew
, Miles Davis said, "I don't play rock, I play ___"
fusion
music
black music
jazz
51
Dec 1960, Ornette recorded this influential album with his double quartet featuring Eric Dolphy
Skies of America
Free Jazz
Dancing in Your Head
This Is Our Music
52
All of the following are true of Ornette Coleman's band Prime Time EXCEPT
It played themes drawn from Skies of America
The players learned all of the music by ear
Coleman kept his distinctive sound in the electric context
The sideman formed their own bands
53
Ornette Coleman coined the
harmolodic
by combining
harmony, movement, and melody
harmony, monody, and diction
harmony, melody, and logic
54
T/F: John Coltrane's first session as a leader for Prestige Records was recorded in 1955
False
True
55
In 1960, John Coltrane led his own group at the Jazz Gallery. His band included:
McCoy Tyner, Jimmy Garrison, Elvin Jones
McCoy Tyner, Reggie Workman, Elvin Jones
Steve Kuhn, Steve Davis, Pete LaRoca
Tommy Flanagan, Art Davis, Art Taylor
56
T/F: In an interview with Carl-Erik Lindgren in 1960, Trane addressed harsh critical reactions
False
True
57
In addition to the avant-garde, Eric Dolphy was associated with the ____ Stream
Free
Third
Spiritual
New
58
T/F: Ornette Coleman's term
harmolodic
means that musicians may transpose phrases to any key
False
True
59
Cecil Taylor is said to approach the piano as if it were
an orchestra
88 tuned drums
an ensemble of voices
88 bells
60
Why can Ornette Coleman's orchestral work
Skies of America
never be played the same way twice?
It is not notated
The players must learn it by ear
Music of Coleman's band in orch. will be different each time
Piece requires more rehearsal time than union rules permit
61
Bill Evans's solo on "Concerto for Billy the Kid" includes this feature of New Orleans jazz
multithematic ragtime form
stop-time
tailgate trombone
collective improvisation
62
Bill Evans recorded this ten-measure-long composition on
Kind of Blue
Turn Out the Star
Peri's Scope
Very Early
Blue in Green
63
John Coltrane record this 45-minute performance in 1965 with his rhythm section and 6 horns
Abstractions
Ascension
Interstellar Space
Meditations
64
The most artistically and commercially successful fusion group of the 1970s was:
Mahavishnu Orchestra
Weather Report
Return to Forever
Spyro Gyra
65
T/F: John Coltrane recorded
A Love Supreme
in December 1965
False
True
66
The Miles Davis Quintet's performance of "Orbits" is one example of this style of improvisation
collective improvisation
Coltrane changes
"time, no changes"
modal
67
All of the following are true of Keith Jarrett's American quartet EXCEPT
Jarrett sometimes doubled on soprano saxophone
The quartet's repertory blended gospel and free jazz
Charlie Haden played bass
Jon Christensen played drums
68
T/F: Chick Corea's piano trio recording,
Now He Sings, Now He Sobs
, came out in 1970
False
True
69
T/F: The term
Third Stream
was coined by Gunther Schuller in 1959
True
False
70
This Norwegian saxophonist idolized John Coltrane and refused to label anything jazz after
BB
Palle Danielsson
Jan Garbarek
Jon Christensen
Rasmus Sørensen
71
All of the following are true of John Coltrane's album
Giant Steps
EXCEPT
Of the album tracks, only "Giant Steps" became a standard
Coltrane composed all of the selections
Coltrane recorded it in 1959
The title tune's chord structure is difficult at fast tempos
72
Eric Dolphy single-handedly made the ___ a significant instrument in jazz
bass saxophone
flute
oboe
bass clarinet
73
T/F: Saxophonist Wayne Shorter replaced George Coleman in the Miles Davis quintet in 1963
True
False
74
The titles of the individual movements for John Coltrane's recording,
A Love Supreme
, are:
Resolution
Pursuance
Acknowledgement
Psalm
75
Which fusion artist played tenor, worked with Chico and Cannoball, and hired Keith Jarrett?
Tom Scott
Larry Coryell
Larry Young
Charles Lloyd
76
All of the following are true of Cecil Taylor's concept of unit structures EXCEPT
The musicians worked through each unit in sequence
The pace the musicians developed the modules was the same
He composed his themes in modules, or units
The pace the musicians developed the modules was different
77
All of the following are characteristics of Albert Ayler's music EXCEPT
His music had an old-time religious fervor
He preferred simple melodies
He employed march-like tunes
He recorded each of his tunes only once
78
T/F: As a bandleader Cecil Taylor kept his sketches to himself and taught parts by ear
False
True
79
T/F: Rather than using conventional sheet music, Cecil Taylor used sketches, codes, and arrows
False
True
80
T/F: Bassist Ron Carter began a five year stint with Miles Davis in 1963
True
False
81
Following his performance at the 1955 Newport Jazz Festival, Davis signed a contract with ____
Capitol Records
Prestige Records
Impulse Records
Columbia Records
82
Albert Ayler recorded his signature piece twice on
Spiritual Unity
. This composition was:
Ghosts
The Wizard
Spirits
Bulbs
83
All of the following are true of
Bitches Brew
EXCEPT
All of the tunes were recorded in unedited takes
The band was large, with more than one keyboard, bass, drums
Some of the tunes were created after the session by editing
The music was dissonant and texturally dense
84
Ornette Coleman's compositions:
have abstract melodies that are hard to memorize
have a strong melodic, emotional character
have not been performed by other musicians
85
T/F: Albert Ayler's "Ghosts" combines old-time religious fervor, marches, and simple melodies
True
False
86
All of the following are true of hard bop EXCEPT:
Hard bop activity was concentrated on the East Coast
Drummer played assertively, driving the soloists
Most hard bop tunes had even more complexity than bebop
Critics coined the term in the mid-1950s
87
All of the following were members of Miles Davis's first great quintet EXCEPT
John Coltrane
Sonny Rollins
Paul Chambers
Red Garland
88
All of the following were distinctive aspects of Miles Davis's first great quintet EXCEPT
Its repertory, which combined original pieces with pop songs
The assertive independence of the rhythm section
Its repertory, which emphasized original tunes by Davis
The contrast between Davis's and Coltrane's solo styles
89
The first Miles recording that we hear Herbie on Rhodes and Ron on electric bass is this tune
Stuff
Paraphernelia
Petit Machins
Black Comedy
90
All of the following are true of John Coltrane's early life EXCEPT
He studied music in Philadelphia
He was born in North Carolina
Miles Davis brought him to New York in 1949
He was fascinated by scales
91
What 1975 album by Keith Jarrett features his solo piano improvisations, sold more than 4 mil
Belonging
Fort Yawuh
La Scala
The Köln Concert
92
All of the following are true of Miles Davis's album
Filles de Kilimanjaro
EXCEPT
Herbie Hancock played electric piano
Chick Corea played electric piano
Tony Williams's drum parts were influenced by rock
The cover said "New Directions in Jazz by Miles Davis"
93
T/F: Drummer Tony Williams began performing with Sam Rivers at age 13
False
True
94
T/F: Gunther Schuller's essay on Sonny Rollins was written in Nov 1958 for
The Jazz Review
True
False
95
All of the following are characteristic of hard bop EXCEPT:
bebop complexity in solos
bluesy or gospel-inspired themes
more complex themes than those of bebop
backbeat rhythms
96
Pianist ___ is responsible for persuading this record label ___ to sign Ornette Coleman
Ahmad Jamal ; Columbia
Gabriel "Medium Dick" Bar-Cohen ; Blue Note
Phineas Newborn Jr. ; Prestige
John Lewis ; Atlantic
97
The decision in
Brown v. Board of Education
was handed down in:
1957
1959
1948
1954
98
Lennie Tristano's composition, "Descent Into the Maelstrom, was based on a 1941 short story by:
James Joyce
Alexandre Dumas
Karl Marx
Edgar Allen Poe
99
T/F: After sitting in with Dizzy and Bird as a young man, Miles Davis decided to move to NYC
False
True
100
In Ornette Coleman's approach to improvisation:
melody, harmony, and rhythm are freely improvised
melody/rhythm are improvised; harmony follows composition
melody/harmony are improvised; rhythm follows composition
101
What personal meaning did
A Love Supreme
have for John Coltrane?
He expressed his love for the world's musical traditions
In it, he expressed his love for his family
He expressed his gratitude for his spiritual awakening
102
Miles Davis gained experience in a new way of improvising from his work on what project in FRA?
He learned to pain in an improvisatory style
He recorded as a pianist
He created the score to a Louis Malle film with modal improv
He composed an orchestral film score
103
Cecil Taylor's album,
Unit Structures
, was released in the year:
1965
1964
1967
1966
104
James Blood Ulmer, Jamaaladeen Tacuma, and Ronald Shannon Jackson played in Ornette's band:
American Quartet
Oregon
Double Quartet
Prime Time
105
ECM was founded in 1969 by:
Manfred Scheffner
Manfred Eicher
Teo Macero
Jan Garbarek
106
T/F: Miles Davis went to Paris with a quintet led by Tadd Dameron in 1949
True
False
107
Ornette Coleman's "Broadway Blues" featured Ornette, Dewey Redman, and these two musicians:
Steve Davis and Pete LaRoca
Jimmy Garrison and Elvin Jones
Reggie Workman and Jimmy Cobb
Paul Chambers and Philly Joe Jones
108
T/F: The form for "Flamenco Sketches" from
Kind of Blue
remains the same for every soloist
False
True
109
How were the albums by Miles Davis's second great quintet received?
favorably by musicians, unfavorably by everyone else
favorably by musicians/critics,didn't reach broad popularity
favorably only by young rock fans
110
In an incident with pianist Bud Powell, Thelonious Monk had his ___ revoked by the NYPD
Passport
Cabaret card
Driver's license
111
The standard, "While My Lady Sleeps" was recorded by John Coltrane in this year for this album
1958, Soultrane
1957, Blue Train
1959, Giant Steps
1957, Coltrane
112
T/F: In harmolodic music, musicians may transpose written phrases to an key or octave
True
False
113
Drummer Tony Williams recorded this album with Jackie McLean in this year for Blue Note Records
Vertigo, 1963
Destination, 1961
Let Freedom Ring, 1964
4, 5, and 6, 1962
114
Thelonious Monk's historic 1957 performances at the Five Spot included this tenor saxophonist
Cannonball Adderley
John Coltrane
Ornette Coleman
Eric Dolphy
115
T/F: Herbie Hancock's
Headhunters
recording was recorded in 1974
True
False
116
In the preface of Nicolas Slonimsky's book ___, the melody and chords for Giant Steps are found
The Art of the Saxophone
Compendium of Melodic and Harmonic Patterns
Thesaurus of Scales and Melodic Patterns
Anthology of Scales and Modes
117
T/F:
Ebony Concerto
, composed by Stravinsky, was commissioned by the Woody Herman band
False
True
118
Which aspect of the tenor saxophone did Albert Ayler explore more than other players did?
the so-called "hidden register" of extremely high pitches
playing extremely fast bebop lines
the subtone timbre in the low register
119
Pianist Cecil Taylor attended this well known school in 1952
Berklee College of Music
New England Conservatory
Manhattan School of Music
The Juilliard School
120
Which of Cecil Taylor's musicians became a sort of translator of his approach to the musicians
Sonny Murray
Archie Shepp
Andrew Cyrille
Jimmy Lyons
121
All of the following general parameters of avant-garde jazz are described correctly EXCEPT
melody: no longer reliant on harmonic patterns or resolution
rhythm: ambiguous pulse or several pulses at once
harmony: no longer reliant on patterns based on chord/scale
structure: retained blues and song forms
122
T/F: Thelonious Monk's longtime saxophonist was John Coltrane
False
True
123
Art Blakey formed the Jazz Messengers quintet with pianist
Sonny Clark
Bud Powell
Tommy Flanagan
Horace Silver
124
All of the following are true of Ornette Coleman's early reception in New York EXCEPT
Leonard Bernstein and Gunther Schuller declared him a genius
No other established musicians came to hear his music
Miles Davis and Mingus were skeptical about his music
He had a long engagement at the Five Spot
125
T/F: New York Philharmonic conductor Leonard Bernstein proclaimed Ornette Coleman a genius
False
True
126
T/F: "Frelon Brun" and "Mademoiselle Mabry" are two tunes that were inspired by Betty Mabry
True
False
127
T/F: Ornette Coleman moved to New Orleans in 1951
False
True
128
During the 1940s and 1950s, Miles Davis made all of the following innovations EXCEPT
His bossa nova small-group recordings were influential
His works with Gil Evans enlarged the scope of jazz composin
His nonet helped launch cool jazz
His "Walkin'" session provided an impetus for hard bop
129
What was new about Cecil Taylor's way of working with Sonny Murray?
Murray played rhythm not based on a preset meter
Murray played at levels of intensity of his own choosing
Murray relied on music notation rather than learning by ear
130
In the late 1940s and early 1950s, Miles Davis recorded the tracks that resulted in the album
Birth of the Cool
Miles Ahead
Birth of the Third Stream
Birth of the Hot
131
Ornette Coleman was the first jazz composer to be given the _____ in this year:
Guggenheim Fellowship; 1967
Pulitzer Prize; 2006
Nobel Prize; 1984
Grammy; 1974
132
Despite the avant-garde's insistence on newness:
avant-garde musicians rarely played anything new
the avant-garde turned out to be more historically inclusive
133
All of the following played in Ornette Coleman's early groups EXCEPT:
Charlie Haden
John Lewis
Ed Blackwell
Billy Higgins
134
T/F: Gil Evans did not play an instrument in the Miles Davis Nonet
True
False
135
Ornette Coleman's recording,
Sound Grammar
, from 2006 was awarded a:
Grammy
Pulitzer Prize
Guggenheim Fellowship
Nobel Prize
136
Alto saxophonist Jimmy Lyons performed with Cecil Taylor for ___ years
22
20
25
17
137
Eric Dolphy was part of bands led by all of the following bandleaders EXCEPT
John Coltrane
Charles Mingus
Miles Davis
Ornette Coleman
138
What was Cecil Taylor's approach to teaching his music to his musicians?
He gave them sketches and fragments filled with codes/arrows
He taught the musicians their parts by ear
He gave them conventionally notated parts
139
Which of Cecil Taylor's musicians replaced Sonny Murray on drums?
Michael "Big Dick" Shapira
Charles Moffett
Andrew Cyrille
Dennis Charles
140
Which producer worked with Miles Davis on the recording/post-production of his electric music?
Norman Granz
George Martin
Teo Macero
Terrace Martin