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Chapter 13 Quiz (17th Century of Early Baroque): Western Music History Flashcards | StudBud
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Chapter 13 Quiz (17th Century of Early Baroque): Western Music History
Chapter 13 Quiz (17th Century of Early Baroque): Western Music History
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1
According to Monteverdi, what musical style represents the first practice?
polyphony of the Ars Nova
polyphony exemplified by J. S. Bach
polyphony of the late Italian madrigal
polyphony codified by Gioseffo Zarlino
2
When did art historians first use the term "Baroque" to refer to artistic movements between 1600 and 1750?
the eighteenth century
the nineteenth and twentieth centuries
the seventeenth century
3
In the seventeenth century, the modal system declined and was eventually replaced by
tonality.
consonance.
affections.
equal temperament.
4
According to proponents of the second practice, why could compositional rules be broken?
to bring the affections into balance
for text expression
the composer could justify choices in a treatise
for thematic development
5
Where did public concerts, to which members of the public subscribed or paid admission, first occur?
England
Spain
Italy
France
6
Who was among the proponents of the second practice?
René Descartes
Claudio Monteverdi
Gioseffo Zarlino
Giovanni Maria Artusi
7
Which of the following writers was active during the seventeenth century?
Immanuel Kant
Dante
Victor Hugo
William Shakespeare
8
What calamity limited the ability of the Holy Roman Empire to support musicians?
famine
war
the disintegration of Lutheranism
plague
9
In the seventeenth century, what were the affections?
the fealty that a monarch’s subjects were required to pledge
emotional states of the soul
mythical characters that interjected in operatic choruses
various categories of love that included eros and agape
10
Which of the following was a common continuo instrument?
flute
viola da gamba
bassoon
theorbo
11
How did basso continuo engender a shift in thinking about dissonance?
Consonance and dissonance within chords, than individual sets of intervals.
Due to bass line, it led to thinking of dissonance as intervals over bass
As the middle voices were dependent on the basso continuo line.
It initiated a trend for suspensions, sometimes unprepared.
12
How did Baroque musicians view musical scores?
as unprofessional
as only to be used in church
as a framework for performance
as an unalterable text
13
What is one fundamental part of our musical life that originated in the seventeenth century?
public concerts
instrumental ensemble performances
organs in church services
distinct repertoires of classical and popular music
14
Before it was applied to an artistic period, what was the meaning of the term "baroque"?
abnormal, bizarre, or in bad taste refined and ornately decorated
tumultuous and overly dramatic
refined and ornately decorated
cerebral, logical, and symmetric
15
What was concertato style?
a group of singers that performed one to a part, as opposed to a chorus
a combination of bowed string and wind instruments
a combination of voices and instruments
an early form of the concerto in a single movement
16
In Baroque music, what is an elaborate passage that decorates an important cadence?
appoggiatura
cadenza
mordent
basso continuo
17
Who wrote the treatise
The Passions of the Soul
, cataloguing the affections?
Giulio Strozzi
René Descartes
Claudio Monteverdi
Jean-Philippe Rameau
18
In basso continuo
only the bass line is notated and the rest are left for improvisation.
the top and bottom voices are notated, the rest are left for improvisation.
a keyboard in its low range has the melody.Correct Answer
the alto line dominates.
19
What was the prevailing texture of seventeenth-century music?
melody and accompaniment dominated by treble and bass lines
heterophonic sounding of simultaneous variationsCorrect Answer
canon
polyphony of independent voices
20
What did composers think was the healthiest way to use the affections?
Believed that a range of affections could bring people into better balance.
Believed that positive affections like joy and wonder should be encouraged.
Believed that negative affections like rage and grief should dominate.
They believed that composers should express their own inner emotions
21
What is one of the most important themes in seventeenth-century artistic output?
pluralism
realistic portrayals
symmetry
theatricality
22
In seventeenth-century Europe, where did musicians stand to earn the best living?
France
England
Germany
Italy
23
For what reason did Giovanni Maria Artusi criticize Monteverdi’s
Cruda Amarilli
?
the affections it explored were dangerous
for containing thirds and sixths
it was too old-fashioned, representing first practice
unprepared dissonances
24
Which of the following is among the innovations of the seventeenth-century scientific revolution?
the invention of the steam engine
the invention of the printing press
the discovery that the planets revolve around the sun
Columbus landing in the New World
25
What is the term for the performance of a figured bass line?
ornamentation
intonation
realization
concertization