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Intro To Art Final Practice
Intro To Art Final Practice
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Class Quiz Practice for the Intro to Art Final Exam
Flashcards
60 cards
F
Practice quiz
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Host live
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Questions
60
Answers
1
THE ART STYLE THAT USED NEUTRALS AND MOSTLY GEOMETRIC SHAPES
Modern
Art Deco
Graffiti
Art Nouveau
2
CONSISTENT USE OF AN ELEMENT OF ART TO CREATE WHOLENESS OR HARMONY
unity
pattern
contrast
movement
3
RULE OF COMPOSITION THAT STATES THE FOCAL POINT HAS TO BE OFF CENTER TO BE INTERESTING
rule of thirds
perspective
cropping
framing
4
HOW TO BE SURE WATERCOLOR PAINT GOES INTO A DESIRED AREA
PAINTING WITH CLEAN WATER FIRST BEFORE WATERCOLOR
HOPE FOR THE BEST
PAINT WITH BLACK AROUND IT
TRAIN WITH PAINTING NINJAS
5
SOMEONE THAT MAKES SCULPTURES
saucer
sous chef
scribbler
sculptor
6
THE DOCUMENT THAT DECLARED IF HITLER DIED ALL OF THE STOLEN ART WOULD BE DESTROYED
Nine Laws
Nancy's Note
Nero's Decree
Nasturtium's Doctrine
7
HOW TO GET WHITE IN WATERCOLOR PAINTING
LEAVE THE PAPER WHITE OR USE MASKING
PAINT WHITE PAINT
MIX BLACK AND BROWN
ADD THE COMPLIMENT
8
AN ARTIST THAT SPECIALIZES IN SCENERY PAINTING
landscape painter
wildlife painter
portrait painter
hobbyist painter
9
TECHNIQUE USING SMALL DOTS TO CREATE SHADED AREAS OF VALUE
hatching
stippling
blending
scribbling
10
THE AREAS THESE O’KEEFFE SUBJECTS CAME FROM; FLOWERS, BUILDINGS, SKULLS
WISCONSIN, NYC, AND NEW MEXICO
MINNESOTA, WISCONSIN, AND MEXICO
NORTH DAKOTA, CALIFORNIA, AND WASHINGTON
IOWA, CANADA, ARIZONA
11
REPEATING OF AN OBJECT OR SYMBOL ALL OVER AN ARTWORK
TEXTURE
SCRIBBLING
WALLPAPER
PATTERN
12
BLACK, WHITES AND GRAYS are what kind of colors?
newer
nothing
neutrals
notable
13
PERIOD OF ART PICTURED HERE THAT USED NATURAL CURVES AND VIVID COLORS OF PLANTS
Art Deco
Art Nouveau
Modern
Graffiti
14
FLOODING AN AREA WITH WATER AND THEN DROPPING IN WATERCOLOR
washing
glazing
bleeding
lifting
15
WHERE THE SKY MEETS THE LAND OR WATER (A.K.A. EYE LEVEL)
corner
horizon line
vanishing point
orthagonal line
16
NAME OF THE ARTIST WHO PAINTED COWS AND HORSES IN AN EXPRESSIVE STYLE
Paul Cezanne
Paul Gauguin
Franz Marc
Vincent Van Gogh
17
COLORS USED TO REPRESENT MASCULINITY, FEMININITY AND VIOLENCE IN FRANZ MARC’S PAINTINGS
RED-ORANGE, BLUE-GREEN, AND RED VIOLET
ORANGE, GREEN, AND PURPLE
BLUE, YELLOW, AND RED
WHITE, RED, AND BLACK
18
TO TELL A STORY WITH PICTURES AND TEXT
Illustration
Playwriting
Karaoke
Narration
19
DISTRIBUTION OF VISUAL WEIGHTS OF OBJECTS IN AN ARTWORK
COLOR
BALANCE
REPETITION
LINE
20
TOOL USED TO PAINT THE DRY BRUSH TECHNIQUE
palette knife
round brush
fan brush
flat brush
21
PAINTING SHADOWS OR DARKER COLORS OVER TOP OF DRIED LIGHTER AREAS
glazing
bleeding
lifting
washing
22
THE RANGE OF LIGHTS AND DARKS
value
form
color
space
23
A TWO DIMENSIONAL ENCLOSED SPACE
figure
form
shape
line
24
ONE WHO SHOWS OTHERS TECHNIQUES FOR MAKING AND APPRECIATING ART
art student
illustrator
art teacher
artist
25
DARKER, GRAYED AND LIGHTER VERSIONS OF A COLOR
TONE, SHADE, TINT
SHADE, TINT, TONE
TINT, TONE, SHADE
SHADE, TONE, AND TINT
26
USING ANY ELEMENT OF ART TO CREATE A FOCAL POINT OF INTEREST IN AN ARTWORK
emphasis
space
line
shape
27
HOW SOMETHING ACTUALLY FEELS OR LOOKS LIKE IT WOULD FEEL
feelings
color
texture
space
28
MATERIAL USED TO CREATE EXTRA FUR, SCALE, OR FEATHER-LIKE TEXTURE BEFORE PAINTING WITH COLORS
moving paste
pasty paste
toothpaste
modeling paste
29
TYPE OF BRUSH USED FOR THE DRY BRUSH TECHNIQUE TO CREATE FUR LIKE TEXTURE
hair brush
round brush
fan or flat brush
circle brush
30
A MAIN COLOR WITH TWO COLORS ADJACENT TO ITS’ COMPLEMENT
split complimentary
complimentary
complicated
achromatic
31
RELATIVE SIZE OR SCALE WHEN COMPARING OBJECTS OR PARTS TO THE WHOLE
PATTERN
SPACE
PROPORTION
MOVEMENT
32
SHADING TECHNIQUE THAT USES LINES IN VARYING DIRECTIONS TO CREATE VALUE
blending
hatching
cross hatching
scribbling
33
TECHNIQUE FOR DRAWING TREES AND BUSHES IN INK OR PENCIL
scratching
scribbling
sculpting
scoring
34
THE ORDER OF CLAY BODIES FROM STRONGEST TO WEAKEST
STONEWARE, EARTHENWARE, AND PORCELAIN
PORCUPINE, EARTHWORM, AND SNAKES
PORCELAIN, STONEWARE, AND EARTHENWARE
PORCELAIN, EARTHENWARE, AND STONEWARE
35
CAN BE POSITIVE (OBJECT) OR NEGATIVE (BACKGROUND)
tone
space
line
color
36
ANGLED LINES THAT MERGE AND CREATE THE ILLUSION OF DEPTH OF BUILDINGS
corners
horizon line
vanishing points
orthagonal lines
37
TOOL USED TO PAINT STRAIGHT EDGES
palette knife
fan brush
round brush
flat brush
38
TOOL USED TO PAINT SMALL DETAILS
fan brush
flat brush
round brush
palette knife
39
HOW TO CHOOSE THE RIGHT PAINTBRUSH
CHOOSE A SMALL BRUSH FOR LARGE AREAS AND A SMALL BRUSH FOR DETAIL AREAS
CHOOSE A LARGE BRUSH FOR LARGE AREAS AND SMALL BRUSH FOR DETAIL AREAS
CHOOSE WHAT BRUSHES THE PEOPLE LEAVE BEHIND FOR ME TO CHOOSE
CHOOSE A SMALL BRUSH FOR LARGE AREAS AND A LARGE BRUSH FOR DETAIL AREAS
40
RED-ORANGE, YELLOW-ORANGE, YELLOW-GREEN, BLUE-GREEN, BLUE-VIOLET AND RED-VIOLET
PRIMARY COLORS
TERTIARY COLORS
SECONDARY COLORS
QUADRATIC COLORS
41
NAME OF THE BOOK THE CHI RHO (CHRIST) PAGE COMES FROM
BOOK OF ABCS
BOOK OF BIOLOGY
BOOK OF KELLS
BOOK OF KELLY
42
TOOL USED TO LIFT OFF EXCESS WATER OR WATERCOLOR
cup
toothbrush
palette knife
paper towel
43
USING THINNED PAINT WITH A STIFF BRUSH TO FLICK TINY DOTS OF PAINT
lifting
wash
spray
glazing
44
WHAT IS IT CALLED WHEN YOU ADD A TINY BIT OF ORANGE TO BLUE
PRACTICING
DULLING OR MAKING A MATURE COLOR
BAKING
DOODLING
45
FONT THAT MEANS “WITHOUT FEET”
san serif
handwriting
script
serif
46
What type of colors are:
ORANGE, GREEN, VIOLET
quadratic
primary
secondary
tertiary
47
REASON TO CLEAN ACRYLIC PAINT OUT OF BRUSHES
ACRYLIC PAINT IS EXPENSIVE AND MUST ALL BE SAVED
ACRYLIC PAINT CAN ONLY BE USED ONE COLOR AT A TIME
ACRYLIC PAINT DRIES SLOWLY
ACRYLIC PAINT BONDS WITH FIBERS RUINING PAINTBRUSHES
48
DISSIMILAR TEXTURES, VALUES OR COLORS NEXT TO EACH OTHER TO MAKE EACH OTHER STAND OUT
space
rhythm
form
contrast
49
TWO WORDS FROM THIS ONE WORD MEANING “MEDITATE” AND “DOODLE”
zen and tangle
puzzle and ink
zen and toodle
tangle and noodle
50
USING TINTS AND SHADES OF ONE COLOR ONLY
mychromatic
monochromatic
midchromatic
miadchromatic
51
THE TWO NAMES OF THIS HOUSE THAT FRANK LLOYD WRIGHT DESIGNED
Falling Water/Kauffmann House
Rapids House/Masters House
Nature House/Wright House
Water Falls/Rapids House
52
ONE WHO DESIGNS BUILDINGS
builder
mason
archaeologist
architect
53
USED FOR MIXING AND STORING COLORS OF PAINT
palette
cubby
cup
sink
54
IT IS POSSIBLE TO MAKE THE SAME COLOR TWICE IN ACRYLIC PAINTS
False
True
55
A CONTINUOUS MARK MADE BY A MOVING TOOL
Doodle
Shape
Period
Line
56
USE OF OBJECTS ON THE EDGES THAT MAKE THE VIEWER LOOK AT THE FOCAL POINT IN THE CENTER OF AN ARTWORK
rule of thirds
framing
cropping
perspective
57
USE OF UP TO FIVE COLORS NEXT TO EACH OTHER ON THE COLOR WHEEL
partners
analogous
triadic
arbitrary
58
USING A PAIR OF COLORS OPPOSITE ON THE COLOR WHEEL
complementary
friend colors
achromatic
monochromatic
59
USE OF NEUTRALS (BLACK, WHITE AND GRAYS) ONLY
monochromatic
triadic
complementary
achromatic
60
AREA WHERE OBJECTS APPEAR TO GET SO SMALL THAT THEY “DISAPPEAR”
orthagonal lines
horizon line
vanishing point
very important point (VIP)
