Introducción al arte

Art that has been arranged in a place, can be site-specific or non-site specific.

Main reasons why Street art is considered art as opposed to vandalism.

It was a form of art from the Gothic movement mostly seen in the facades of the cathedrals.

Author of this work of art that gave the name to an artistic movement.

He's one of the most famous artists of this movement and he died broke, before he was famous.

From this four, it was the movement that got closer to realism in their works of art.

The creator of "The Fountain". Inspired multiple movements like Conceptual art and Dadaism.

Main theme for the Pop art movement.

Easy-He's famous for his bold colors and representations of everyday objects and famous people.

Three cities that are considered as the three stages of the Bauhaus.

Surrealism was based on:

This 'career' was born in the Bauhaus.

One of the most important artists of the Renaissance movement.

He created "David", "The Pietá" and the "Sixtine Chapel".

One of the main characteristics for the Baroque movement.

Considered the "grandfather" of stencil graffiti, his works started to be seen first in Paris.

Name of the bar where the Dadaist movement started in Zurich.

Two types of surrealism: 1 ______ (Magritte), 2 ______ (Miró).

He's known for representing regular objects in big scales or different textures as their own.

Most of the art from the Gothic movement had this theme.

Characterized by quick brushes, the capture of light and colors, landscapes.

What is the most important form of architecture of the Gothic movement?

They are at the front of the Gothic Cathedrals and make them easy to identify them.

He was a teacher at the Bauhaus and is famous for incorporating music as visuals in his art.

One of the main characteristics for cubism.

What was the main theme for the Renaissance movement?

It represented war, suffering and confusion.

Anti-war, anti-art, anti-bourgeous.

One of the most influential street artists, mostly known for his anonymous works in stencil.

Movement in which the idea behind the art is more important than the physical art itself.