chapter 9

following the first WW a systematic approach to design developed in europe, but in the US, the profession remained (…)

european pictorial modernism focused on the total integration of (…)

i’m the early 20th century, graphic designers effectively sold (…) as a fashionable aesthetic rather than a social proje

(…) was an artistic movement concerned with understanding the properties of materials and exploring techniques for …

according to historian daniel boorstin, (…) was considered “the great democratizing force in modern america”

the (…) movement created explosive and emotionally charged poetry that defied correct syntax and grammar set this mvmnt-

(…) art lost much of its progressive intent as it was absorbed in a rapid cycle of appropriation and obsolescence

in their manifesto of 1909, futurists proclaimed their enthusiasm for 3 of the following:

the idea of creating and selling an (…) came to replace the simple notion of promoting goods or services

by innovating a new approach to visual composition, (…) movement changed the course of painting and graphic design

writers and artists who participated in the (…) movement were concerned with shock, protest and nonsense

reacting against a world gone mad, the participants in (…) movement claimed to be anti-art and had a strong negative ele

dada artists claim to have invented (…), the technique of manipulating found photo images to create jarring juxtapositio