Italian music of the late Baroque

The main patron(s) of late-Baroque serious opera was/were _____.

Giuseppe Torelli is best known as a composer of:

Ritornello form can best be described as:

Corelli’s works, starting w/ opus 3, est. the conventions for the following techniques:

Which devices were used for composers musically to control affections in the late Baroque?

piece for solo voice &continuo in mult sections or mvts. of moderate length w sec. italian text

Which of these genres was not cultivated by Antonio Vivaldi?

In the eighteenth century, serious (“Neapolitan”) operas began with a:

Aspects of “expression under control” in late-seventeenth-century Italy include:

A da capo aria is best described as:

A typical concerto grosso by Corelli can best be described as:

In serious (“Neapolitan”) opera:

Which of these genres typically employ ritornello form?

Mid- to Late-Baroque music for instrumental ensemble prominently included the following genres:

Alessandro Scarlatti is best known as a composer of:

The Italian city of Naples is associated with:

In late-Baroque compositions, what is the function of the opening motive?

In serious (“Neapolitan”) opera, recitative typically comprised these subtypes:

Corelli and Vivaldi are composers most readily associated with:

Aspects of “expression in control” in early-seventeenth-century Italy include:

systematic alternation of secco (dry or declamatory) recit. and da capo arias is typical of: