a crescent-shaped space, that contains sculpture/painting

Virgin (Theotokos) and Child between Saints Theodore and George

Late Sixth or Early Seventh century

The Virgin (Theotokos) and Child between Saints Theodore and George exemplifies Byzantine pictorial conventions through

a flattened perspective in a composition with spatial ambiguity

a system of government in which priests' rule in the name of God

depiction of Old Testament people/events as prophetic forerunners of Christ

a figure with both arms raised in the ancient gesture of prayer

The early Christian church Santa Sabina was modeled on the general plan of an ancient Roman basilica in part because the

clerestory window emitted glowing light,served practical/spiritual function

The artist who created the Piece chose imagery that was intended to elicit which of the following responses?

Deeper understanding of relevance biblical stories to era viewers lived

Ecstasy of Saint Teresa

1647–1652 C.E., 1625–1674 C.E.

part of interior wall rising above adjacent roof, windows admitting light

regular church members who are not clergy

the part of a church with an axis that crosses the nave at a right angle

place for walking,especially around the apse/cloister in church/monastery

Style of Bibles moralisées from 13th century was influential on the creation of other medieval manuscripts in because

small size made easy for devout to carry books with them to and from mass

covered walk building,typically,wall on side,colonnade open to quadrangle

large hall/building with double colonnades/semicircular apse, used court

Francesco Borromini shaped San Carlo alle Quattro Fontane using complex geometrical arrangements in part to

provide viewers with a spiritual vision of the divine

a Greek title for Mary meaning "God-bearer."

technique, pigment mixed, egg yolk, glue, or casein, and the medium itself

studbud

AP Art History Unit 3: Dates, Vocab, MCQs

84 termsStudBud Administration57 plays

AP Art History review materials

Flashcards84 cardsFPractice quizPHost liveL

Questions 84

Answers

1
The Palace at Versailles
1769 C.E.
1669 C.E.
1796 C.E.
1696 C.E.
2
Adam and Eve
1494 C.E.
1504 C.E
1404 C.E.
1594 C.E.
3
Catacomb of Priscilla
600–800 C.E.
200–400 C.E.
0-200 C.E.
400-600 C.E.
4
EARLY EUROPE and COLONIAL AMERICAS
1750-1900 C.E.
200-1750 C.E.
5
Great Mosque of Cordoba
755–785 C.E.
781-785 C.E.
786-790 C.E.
785–786 C.E.
6
Birth of Venus
1484–1486 C.E.
1374-1376 C.E.
1474–1476 C.E.
1384-1486 C.E.
7
Hunters in the Snow
1565 C.E.
1765
1556
1665
8
David
1460-1480 C.E.
1560-1580 C.E.
1330-1350 C.E.
1440–1460 C.E.
9
Lunette
porch or vestibule of church, generally colonnaded/arcaded,preceding nave
a crescent-shaped space, that contains sculpture/painting
depiction of Old Testament people/events as prophetic forerunners of Christ
the part of a church with an axis that crosses the nave at a right angle
10
Virgin (Theotokos) and Child between Saints Theodore and George
Mid Seventh century
Mid-Late Seventh century
Early Sixth century
Late Sixth or Early Seventh century
11
Fruit and Insects
1811 C.E.
1711 C.E.
1821 C.E.
1721 C.E.
12
School of Athens
1612-1615 C.E.
1609–1611 C.E.
1512-1515 C.E.
1509–1511 C.E.
13
Henri IV Receives the Portrait of Marie de’ Medici
1621–1625 C.E.
1521–1525 C.E.
1421–1425 C.E.
1721–1725 C.E.
14
Alhambra
1392-1421
1354–1391 C.E.
1324-1351 C.E.
1394-1419 C.E.
15
Lindisfarne Gospels: St. Matthew, cross-carpet page; St. Luke portrait page; St. Luke incipit page
700 C.E.
900 C.E.
800 C.E.
600 C.E.
16
Sistine Chapel ceiling and altar wall frescoes
1508–1512 C.E.
1418-1422 C.E.
1408-1412 C.E.
1518-1522 C.E.
17
The Virgin (Theotokos) and Child between Saints Theodore and George exemplifies Byzantine pictorial conventions through
a flattened perspective in a composition with spatial ambiguity
a frontal composition with individualized facial features drawn from life
illusionistic architecture that is included in the background
strong, direct shadows that emphasize anatomical naturalism
18
Venus of Urbino
1583 C.E.
1538 C.E.
1438 C.E.
1483 C.E.
19
Theocracy
a system of government in which priests' rule in the name of God
a crescent-shaped space, that contains sculpture/painting
the central part of a church, intended to accommodate the congregation
a figure with both arms raised in the ancient gesture of prayer
20
At the time it was painted, Rachel Ruysch’s Fruit and Insects would have been displayed in a
monastery’s refectory
merchant’s house
market’s food hall
church’s side chapel
21
Prefiguration
a Greek title for Mary meaning "God-bearer."
depiction of Old Testament people/events as prophetic forerunners of Christ
covered walk building,typically,wall on side,colonnade open to quadrangle
a crescent-shaped space, that contains sculpture/painting
22
Bayeux Tapestry
1000- 1066 C.E.
867-879 C.E.
1080- 1091 C.E.
1066–1080 C.E.
23
Santa Sabina
412–420 C.E.
422–432 C.E.
411-422 C.E.
432-456 C.E.
24
Röttgen Pietà
1300–1320 C.E.
1200-1225 C.E.
1200-1220 C.E.
1300–1325 C.E.
25
Orant
a recess, semicircular, i wall of Roman basilica or at east end of a church
regular church members who are not clergy
a figure with both arms raised in the ancient gesture of prayer
semicircular recess,crowned by a half-dome,set into a building's facade
26
The early Christian church Santa Sabina was modeled on the general plan of an ancient Roman basilica in part because the
domed entryway invited a comparison with the mysteries of the heavens
classical friezes emphasized importance the building to the congregation
vaulted low ceiling created intimate space that encouraged private worship
clerestory window emitted glowing light,served practical/spiritual function
27
Self-Portrait with Saskia
1763 C.E.
1636 C.E.
1736 C.E.
1663 C.E.
28
The artist who created the Piece chose imagery that was intended to elicit which of the following responses?
Deeper understanding of relevance biblical stories to era viewers lived
Strong appreciation of the reigning monarchs and their divine right to rule
feeling of connection to biblical events through inclusion of local saints
A renewed devotion to the family because of the scenes of domestic life
29
Pyxis of Al-Mughira
896 C.E.
978 C.E.
986 C.E.
968 C.E.
30
Ecstasy of Saint Teresa
1647–1652 C.E.
1725–1774 C.E.
1625–1674 C.E.
1747–1752 C.E.
31
Clerestory
oiled calfskin used as a surface to write or paint on
the part of a church with an axis that crosses the nave at a right angle
depiction of Old Testament people/events as prophetic forerunners of Christ
part of interior wall rising above adjacent roof, windows admitting light
32
Pazzi Chapel
1492-1501 C.E.
1429–1461 C.E.
1392-1401 C.E.
1329–1361 C.E.
33
Laity
covered walk building,typically,wall on side,colonnade open to quadrangle
regular church members who are not clergy
oiled calfskin used as a surface to write or paint on
part of interior wall rising above adjacent roof, windows admitting light
34
Transept
a Greek title for Mary meaning "God-bearer."
the part of a church with an axis that crosses the nave at a right angle
covered walk building,typically,wall on side,colonnade open to quadrangle
publisher's emblem/imprint, especially one on the title page/spine of book
35
Dedication Page with Blanche of Castile and King Louis IX of France, Scenes from the Apocalypse from Bibles
1225–1245 C.E.
1221-1225 C.E.
1166-1221 C.E.
1245-1522 C.E.
36
Entombment of Christ
1452-1482 C.E.
1552-1582 C.E.
1525–1528 C.E.
1425-1428 C.E.
37
Spaniard and Indian Produce a Mestizo
1751 C.E.
1715 C.E.
1815 C.E.
1851 C.E.
38
Ambulatory
oiled calfskin used as a surface to write or paint on
place for walking,especially around the apse/cloister in church/monastery
part of interior wall rising above adjacent roof, windows admitting light
the part of a church with an axis that crosses the nave at a right angle
39
Style of Bibles moralisées from 13th century was influential on the creation of other medieval manuscripts in because
use of geometric form made easy to mass-produce designs for wide audience
detailed illustration help understand the teachings of Reformation theology
sumptuous materials like gold leaf demonstrate wealth/taste of patrons
small size made easy for devout to carry books with them to and from mass
40
Rebecca and Eliezer at the Well and Jacob Wrestling the Angel
Mid-sixth century C.E.
Late sixth century C.E.
Early sixth century C.E.
41
Hagia Sophia
501-528 C.E.
532–537 C.E.
537-544 C.E.
528-532
42
Chartres Cathedral
1194–1220 C.E.
1345-1545 C.E.
1145–1155 C.E.
1415-1515 C.E.
43
Cloister
part of interior wall rising above adjacent roof, windows admitting light
covered walk building,typically,wall on side,colonnade open to quadrangle
a system of government in which priests' rule in the name of God
place for walking,especially around the apse/cloister in church/monastery
44
Basilica
the part of a church with an axis that crosses the nave at a right angle
covered with gold or a golden color, having a background of wealth
large hall/building with double colonnades/semicircular apse, used court
depiction of Old Testament people/events as prophetic forerunners of Christ
45
Las Meninas
1765 C.E.
1656 C.E.
1665 C.E.
1756 C.E.
46
Francesco Borromini shaped San Carlo alle Quattro Fontane using complex geometrical arrangements in part to
accommodate the liturgical requirements of the Jesuit order
eliminate the need for pendentives in the construction of the dome
symbolize the triumph of papal authority over Protestant heresy
provide viewers with a spiritual vision of the divine
47
Theotokos
the part of a church with an axis that crosses the nave at a right angle
a Greek title for Mary meaning "God-bearer."
a crescent-shaped space, that contains sculpture/painting
a crescent-shaped space, that contains sculpture/painting
48
The Tête à Tête, from Marriage à la Mode
1834 C.E.
1743 C.E.
1843 C.E.
1734 C.E.
49
Tempera
depiction of Old Testament people/events as prophetic forerunners of Christ
regular church members who are not clergy
part of interior wall rising above adjacent roof, windows admitting light
technique, pigment mixed, egg yolk, glue, or casein, and the medium itself
50
Woman Holding a Balance
1764 C.E
1746 C.E
1664 C.E
1646 C.E
51
Last Supper
1594-1598 C.E.
1549-1489 C.E.
1494–1498 C.E.
1449-1489 C.E.
52
In the Middle Ages, Chartres Cathedral drew many visitors, primarily because it
displayed a tapestry of Bishop Odo, told the narrative of a famous event
was the place where medieval French kings were buried
housed an important relic of the Virgin Mary in its crypt
built on site where an important biblical event thought to have occurred
53
San Carlo alle Quattro Fontane
1664–1683 C.E.
1538–1546 C.E.
1638–1646 C.E.
1564–1583 C.E.
54
Isenheim Altarpiece
1521-1561 C.E.
1421-1461 C.E.
1512–1516 C.E.
1412–1416 C.E.
55
Encaustic
oiled calfskin used as a surface to write or paint on
painting technique,pigment mixed with melted wax,applied surface when hot
technique, pigment mixed, egg yolk, glue, or casein, and the medium itself
an open-roofed entrance hall or central court in an ancient Roman house
56
Colophon
oiled calfskin used as a surface to write or paint on
semicircular recess,crowned by a half-dome,set into a building's facade
a screen/partition, separates beam, raised part of alter, from the nave
publisher's emblem/imprint, especially one on the title page/spine of book
57
Merovingian Looped Fibulae
Early sixth century C.E.
Late sixth century C.E.
Mid-sixth century C.E.
58
The Bayeux Tapestry depicts which of the following historical event?
The Siege of Belgrade
The Spanish conquest
The Battle of Issus
The Norman Conquest
59
Madonna and Child with Two Angels
1465 C.E.
1365 C.E.
1665 C.E.
1565 C.E.
60
Nave
covered with gold or a golden color, having a background of wealth
the central part of a church, intended to accommodate the congregation
a system of government in which priests' rule in the name of God
oiled calfskin used as a surface to write or paint on
61
Calling of Saint Matthew
1679-1691 C.E.
1697–1701 C.E.
1579-1591 C.E.
1597–1601 C.E.
62
Palazzo Rucellai.
1305 C.E.
1305 C.E.
1450 C.E.
1350 C.3.
63
Il Gesù, including Triumph of the Name of Jesus ceiling fresco
1676–1679 C.E.
1667-1697
1776–1779 C.E.
1767-1797
64
Allegory of Law and Grace
1430 C.E.
1440 C.E.
1530 C.E.
1540 C.E.
65
Screen with the Siege of Belgrade and Hunting Scene
1697–1701 C.E.
1797–1801 C.E.
1779–1810 C.E.
1679–1710 C.E.
66
Church of Sainte-Foy
1050– 1130 C.E.
1040- 1050 C.E.
1000- 1100 C.E.
1066- 1100 C.E.
67
The Virgin of Guadalupe (Virgen de Guadalupe)
1598 C.E.
1798 C.E.
1698 C.E.
1498 C.E.
68
In the Piece,the use of rich coloration,a segmented composition,and instructional content were most likely influenced by
embroideries depicting stories of events through combination of text/image
stained-glass presentations of religious narratives used in church windows
Merovingian cloisonné metalwork,features use of positive/negative space
Byzantine mosaics using round,cut stones.tesserae present images of court
69
Apse
technique, pigment mixed, egg yolk, glue, or casein, and the medium itself
a recess, semicircular, i wall of Roman basilica or at east end of a church
semicircular recess,crowned by a half-dome,set into a building's facade
regular church members who are not clergy
70
Golden Haggadah (The Plagues of Egypt, Scenes of Liberation, and Preparation for Passover)
1320 C.E.
1520 C.E.
1420 C.E.
1220 C.E.
71
Narthex
a Greek title for Mary meaning "God-bearer."
the part of a church with an axis that crosses the nave at a right angle
porch or vestibule of church, generally colonnaded/arcaded,preceding nave
painting technique,pigment mixed with melted wax,applied surface when hot
72
Arena (Scrovegni) Chapel
1403 C.E.
1503 C.E.
1303 C.E.
1300 C.E.
73
Gilded
a recess, semicircular, i wall of Roman basilica or at east end of a church
technique, pigment mixed, egg yolk, glue, or casein, and the medium itself
covered with gold or a golden color, having a background of wealth
part of interior wall rising above adjacent roof, windows admitting light
74
Caravaggio’s Calling of Saint Matthew was influential on later painters primarily because of his use of
household objects as theological symbols
Biblical narratives retold with the figures in contemporary dress
linear perspective, which creates an illusion of spatial depth
tenebrism, which is the dramatic use of light and shadow
75
Mosque of Selim II
1568–1575 C.E.
1575-1586 C.E.
1675-1686 C.E.
1668–1675 C.E.
76
Iconostasis
a screen/partition, separates beam, raised part of alter, from the nave
the central part of a church, intended to accommodate the congregation
regular church members who are not clergy
a Greek title for Mary meaning "God-bearer."
77
Atrium
place for walking,especially around the apse/cloister in church/monastery
part of interior wall rising above adjacent roof, windows admitting light
an open-roofed entrance hall or central court in an ancient Roman house
technique, pigment mixed, egg yolk, glue, or casein, and the medium itself
78
San Vitale
547-553 C.E.
543–557 C.E.
519-526 C.E.
526–547 C.E.
79
Angel with Arquebus, Asiel Timor Dei
18th century C.E.
16th century C.E.
15th century C.E.
17th century C.E.
80
Frontispiece of the Codex Mendoza
1442-1461
1542-1561 C.E.
1541–1542 C.E.
1441-1442 C.E.
81
Exedrae
the part of a church with an axis that crosses the nave at a right angle
oiled calfskin used as a surface to write or paint on
semicircular recess,crowned by a half-dome,set into a building's facade
a recess, semicircular, i wall of Roman basilica or at east end of a church
82
Annunciation Triptych (Merode Altarpiece)
1323- 1354 C.E.
1427– 1432 C.E.
1423- 1472 C.E.
1345- 1332 C.E.
83
The Arnolfini Portrait
1334 C.E.
1343
1434 C.E.
1443 C.E.
84
Vellum
oiled calfskin used as a surface to write or paint on
an open-roofed entrance hall or central court in an ancient Roman house
large hall/building with double colonnades/semicircular apse, used court
covered walk building,typically,wall on side,colonnade open to quadrangle

AP Art History Unit 3: Dates, Vocab, MCQs Flashcards | StudBud