Film Chapter 2 Test

The audience identifies primarily with the __.

A convincing appearance of truth is a quality that cinema people call __.

The most acute human eye can discern no more than 50 pulses of light per second.

Form & content are____

Which of the following statements best describes the relationship between form & content?

Very often a movie starts with a world that is altered by a particular incident that forces the characters to ____.

Various approaches to rearranging time allow filmmakers to create narrative meanings.

D.W. Griffith pioneered the use of __ in the classic "ice break" scene of the film Way Down East.

How many adjacent light flashes are alternated on & off to create the phi phenomenon?

What percentage of The Matrix reportedly consisted of special effects?

Various forms shape our emotional and intellectual responses to a movie's subject matter.

Screenwriters often organize a film's narrative structure around the viewer's desire to ___.

We call them movies because ___.

Mediation in film theory literally means to ___.

Our decision to see a particular movie is almost always based on certain ____.

A formal pattern in which two lines of action appear to be occurring simultaneously (ABABABABA) is known as ____.

Instinctively, we search for ___ & ___ in all art forms.

The key to the unique power of movies to manipulate our sense of space is the __.

Between 1895 & 1905 the French filmmakers A. & L. Lumiere & G. Melies established 2 directions cinema would follow...

On the movie screen, space & time are ____.

__ is the subject of an artwork, & ___ is the means by which the subject is expressed.

Persistence of vision is the process by which retains an image for a fraction of a sec longer than the eye records it

Familiar sound effects or motifs from a movie's score are also important components of film form.

In Charlie Chaplin's The Gold Rush suspense was created by__.

Film movement is made possible by two interacting optical & perceptual phenomena:

Realism is a way of treating subject matter that reflects __.

Filmmakers often craft the interplay between illumination and shadow to imply a character's ___.

__ sequences are 1 of the most common editing patterns in film & tv.

We perceive the camera's point of view as a sort of roving __ point of view.

The key formal element that film carefully manipulates to create mood, reveal character, and convey meaning is __.

__ is the essential ingredient in the creation & consumption of motion picures.

A written language is based on __.

Forms shape our emotional & intellectual responses to ___.

The realistic impulse of the visual arts helped to inspire the first motion pictures.

Movies give time to space & space to time, a phenomenon that film theorist Erwin Panofsky describes as __.

Parallel editing is a technique that makes different lines of action appear__.

Movies frequently rearrange time by organizing story events in __.

Only movies can record real time chronologically as well as subjectively .

The conventions that make up cinematic language are NOT: flexible.

Audiences' expectations concerning "reality" ____.

Parallel editing is the only means of creating and exploiting patterns in movies.

A MacGuffin is an object of vital importance to the characters that ___.

Realism is a complex concept partly b/c it refers to several __ ideas.

_ is the phrase that denotes the accepted systems, methods, & convention by which the movies communicate w/ viewers.

The repetition of a familiar image or sound effect is an important element of film ___.

Audiences associate particular camera formats & techniques with reality.

Works of art, such as movies, have deliberate ___ that convey more information than simply who did what.

In Hollywood, producers & screenwriters assume that audiences decide if they like or dislike a movie within ____

Patterns are often important to our experience and interpretation of movies.

__ is responsible for the image we see on the screen.