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CHS APAH Baroque Flashcards | StudBud
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CHS APAH Baroque
CHS APAH Baroque
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AP Art History Baroque
Flashcards
48 cards
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Practice quiz
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Host live
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Questions
48
Answers
1
The work on the left can best bedescribed as
part of an altarpiece
part of a series
a genre scene
an illuminated manuscript
2
One of the principle forms in 17th-century architecture was the________.
circle
oval
square
oval, circle, and square
3
The work shown can be attributed to
Johannes Vermeer, because of the depiction of a softly lit domestic scene
Juan Rodríguez Juárez, because of the subject choice of a casta painting
William Hogarth, because of the satirical content and genre scene
Diego Velázquez, because of the subject choice of a family portrait
4
The painting fuses elements of traditional European painting and colonial context through its
rendering of local subjects through individualized portraiture
use of oil painting to agitate for New World political autonomy
combination of symbolic gestures and indigenous textiles
depiction of a historic incident known through engravings
5
The Artist
José de Ribera
Karl Loomis
Francisco de Zurbarán
Diego Velázquez
6
Which historical event had the greatest impact on Dutch 17th-century art?
foundation of the Bank of Amsterdam
creation of trade routes to the Americas, Africa, and Asia
Treaty of Westphalia
Protestant Reformation
7
The sculptor of the work was
Michelangelo
Bernini
Cellini
Donatello
8
The architects of Versailles were
Charles Barry and A. W. N. Pugin
Louis Le Vau and Jules Hardouin-Mansart
Pierre Lescot and Claude Perrault
Charles Garnier and Henri Labrouste
9
Which city has been generally credited with the birth of the Baroque style?
Madrid
Florence
Rome
Seville
10
Title
The Holy Family with dog
Charles IV of Spain and His Family
Las Meninas
The Family of the Duke of Osuna
11
José de Ribera was most strongly influenced by the work of which of the following artists?
Bernini
Annibale Carracci
Caravaggio
Guido Reni
12
The patron for the work on the left was
Marie Antoinette
Marie de’ Medici
Louis XIV
Elizabeth I
13
The work on the left can best be described as
an illuminated manuscript
a genre scene
part of a series
part of an altarpiece
14
Jacob van Ruisdael specialized in ________.
church interiors
portraits
genre scenes
landscapes
15
Identify
Glorification of Saint Ignatius
Triumph of the Barberini
Triumph in the Name of Jesus
Loves of the Gods
16
Court painter for Philip IV
Karl Loomis
Francisco de Zurbarán
Diego Velázquez
José de Ribera
17
The Artist
Artemisia Gentileschi
Carracci
Bernini
Caravaggio
18
The patron of the work was
Pope Urban VIII
Lorenzo de’ Medici
Federico Cornaro
Pope Julius II
19
Allegorical content in the work on the left alludes to the patron’s
religious beliefs
political ambitions
literary talents
scientific achievements
20
In what way did the time period of this biombo influence its form?
It was created at a time when oil painting was becoming popular.
It folds for transportation of it from Japan to New Spain.
It is influenced by Japanese screens which were popular.
It contains wilting on the back side of the screen.
21
The materials used for this biombo were likely chosen to
display the wealth of the viceroy who owned it.
show assimilation of the European with the original inhabitants
create contrast between different sections of the folding screen.
inspire fear and submission to the new viceroy.
22
Allegorical content in the workon the left alludes to the patron’s
scientific achievements
literary talents
religious beliefs
political ambitions
23
Bernini’s statue of David differed from his predecessors by showing David ____.
waiting for the enemy
after he had slain Goliath
as a king
in the moment of combat
24
Vermeer was known to use ________.
camera obscura
stencils
plaster models of classical sculpture
tempera
25
Triumph of the Name of Jesus can be linked to the Sistine Chapel ceiling frescoes through
division of a narrative into separate episodes
incorporation of mythological figures
blending of painted and stucco figures
blurred distinction between painting and architecture
26
The design of the architectural work shown can be attributed to Francesco Borromini because
combined use of molded concrete and carved stone
careful re-creation of an actual facade from Roman antiquity
curved, undulating forms and broken entablatures
bold and inventive use of coffers of varying shapes
27
How does tenebrism in this artwork contribute to the overall drama of the scene depicted?
It creates a 'spotlight' on the main figure.
It models the figures so they appear more three-dimensional.
It creates a dark, obscured background.
It is a symbol for the presence of God.
28
Which of the following artists most influenced the work of Artemisia Gentileschi?
Annibale Carracci
Caravaggio
Guido Reni
Bernini
29
The name of the painting
Glorification of Saint Ignatius
The princess and attendants
Las Meninas
The family of Charles IV
30
The artist of the painting on the right worked in
a Protestant republic
an academy of art
a Catholic monastery
an imperial court
31
The work promoted ideas associated with the
Scholastic movement
Age of Enlightenment
Counter-Reformation
Protestant Reformation
32
The artist of the work on the left is
Rigaud
Rubens
Holbein
Poussin
33
Which city has been generally credited with the birth of the Baroque style?
Rome
Florence
Seville
Madrid
34
In the series, Hogarth used narrative and carefully chosen details in order to engage
feelings of spiritual devotion
experience of joy and delight
senses of humor and irony
understanding of historical references
35
By commissioning Rubens to execute a cycle of paintings, Marie de’ Medici sought to
assert her legitimacy as the reigning monarch of France and Navarre
promote her son Louis XIII’s claim to the throne
rehabilitate her reputation after she had been exiled from court
immortalize her defeat of the Spanish Armada
36
Which of the following are depicted in carved balconies on each side of the work?
Patron family members
Allegorical figures
Classical mythological deities
Martyred saints
37
This church proved highly influential for Baroque designs, including the design 4 Santa Susanna
San Carlo alle Quattro Fontane, Rome
Florence Cathedral
Il Gesù, Rome
Sta. Maria Novella, Florence
38
The artist of the work is
Rigaud
Holbein
Rubens
Poussin
39
The work is part of a larger series by Hogarth that has the overall theme of the
value of maintaining one's personal reputation
folly of marriages of convenience
tragedy of unrequited love
complications caused by romantic bonds
40
Hogarth contrasts the title with iconography to critique the aristocracy for their
extravagance and self-indulgence
extreme piety and self-righteousness
treason and rebellion
impatience and apathy
41
Both works represent a
gladiator
deity
discus thrower
biblical hero
42
The work reveals the sculptor’s interest in
scientific research
theatrical stage design
political ideologies
genre painting
43
The artist
Velázquez
Pozzo
Ribera
Zurburan
44
The subject of the work is
the Annunciation to the Virgin Mary
a miracle of Saint Ursula
the martyrdom of Saint Catherine
a mystical experience of Saint Teresa
45
The work is located in
Padua
Venice
Rome
Florence
46
Identify
Palazzo Carignano
Santa Susana
San Carlo alle Quattro Fontane
Il Gesù
47
The patron for the was
Marie de’ Medici
Marie Antoinette
Louis XIV
Elizabeth I
48
The painting shown can be attributed to the Master of Calamarca (La Paz School) because its
an angel in the dress of an Andean nobleman
a dense network of hidden symbolism
a form of applied enconchado decoration
a winged figure in the uniform of a Dutch soldier
