The design of the architectural work shown can be attributed to Francesco Borromini because of its

curved, undulating forms and broken entablatures

All are true of the above work of art EXCEPT:

the detail &observation makes painting not influenced by the Enlightment

A recent scholarly theory about the above work suggests that the double portraitGroup of answer choices

was painted as a memorial of the wife who died in childbirth

The artist combined both

classical forms and Northern European use of symbolism of objects

In Hunters in the Snow, Bruegel unifies the composition through

the repetition of a limited color palette

The inspiration for this work is derived from

the personal journal of a mystical Spanish nun

All are true of the above work of art EXCEPT

the advancement of tempera paint made the hyper-realism possible

The work is part of a larger series by Hogarth that has the overall theme of the

folly of marriages of convenience

The following is true of this image EXCEPT

this work is purely inspired by indigenous materials and techniques

The work above can be linked to Michelangelo’s Sistine Chapel ceiling frescoes through the works

blurred distinction between painting and architecture

The painting shown can be attributed to the Master of Calamarca (La Paz School) because of its representation of

an angel in the dress of an Andean nobleman

All the above are true of the above altarpiece EXCEPT

the calm and ordered composition fits within the culture and time period

Works like Cranach’s Allegory of Law and Grace would have appealed to a wide audience because

woodcuts were inexpensive and could be reproduced in large quantities

All are true of the above work of architecture EXCEPT

Church name is derived from the fact that there are three fountains nearby

Some art historians have theorized that the artist included a mirror in the background in order to

the viewer is seeing the painting from the perspective of the king & queen

The artist and culture/time period of the Isenheim altarpiece

Matthias Grunewald, High Northern (German) Renaissance

This work was created for a chapel attached to

a hospital dedicated to skin diseases

Which of the following is the prime reason why the public and patron's found the work objectionable?

saintly figures have earthly characteristics, and shocked church officials

Stylistic conventions of the Italian Baroque period like the work above include

multiple media and materials used in a single work of art

Sandro Botticelli’s Birth of Venus and Albrecht Dürer’s engraving Adam and Eve are similar in that both artists

relied on classical models to represent the concept of ideal beauty

Vermeer’s paintings of Woman Holding a Balance and Rachel Ruysch’s still life painting convey meaning in similar way

using depictions of everyday objects to communicate a moral message

The following is true of this image EXCEPT

the painting depicts the Virgin Mary in a contemporary setting

The function of the above work relates most to

which side faced in a divided reception room

In the Isenheim altarpiece, Christ's suffering is exaggerated by

the use of heavy elongated and distorted figures and pockmarked skin

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Unit 3C

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Questions 33

Answers

1
The formal quality or form that both works share is the use of
tempera paint
religious devotion
secular figures
tenebrism
2
The design of the architectural work shown can be attributed to Francesco Borromini because of its
combined use of molded concrete and carved stone
careful re-creation of an actual facade from Roman antiquity
curved, undulating forms and broken entablatures
bold and inventive use of coffers of varying shapes
3
All are true of the above work of art EXCEPT:
the artist uses still life objects to convey a moral message
the detail &observation makes painting not influenced by the Enlightment
it was painted by the Dutch painter, Rachel Ruysch, in 1711
the artist was highly educated and from a family of scientists and artists
4
A recent scholarly theory about the above work suggests that the double portraitGroup of answer choices
was painted in Italy and brought back to Flanders
features the artist as the model for the male figure
was painted using a camera obscura
was painted as a memorial of the wife who died in childbirth
5
The artist combined both
a verdant Mediterranean landscape with biblical references
grotesque and elongated forms with simple lines
classical forms and Northern European use of symbolism of objects
shallow space with heightened emotion
6
The entire massive structure, including the gardens, included multiple symbolic references to
the Bengals Who Dey!
the sun
Chirst
leaders from antiquity
7
A dramatic enactment of the holy mysteries of the Christian faith performed at church portals and in city squares
Pedrella drama
proscenium event
baldacchino playg
Mystery Plays
8
In Hunters in the Snow, Bruegel unifies the composition through
the repetition of a limited color palette
a symmetrical, balanced arrangement
the use of hierarchical scale in the figures
visible, textured brushstrokes
9
The inspiration for this work is derived from
a prayer written by St. Ignatius Loyola
the personal journal of a mystical Spanish nun
a spiritual vision by the artist, a devout Catholic
the Book of Revelation
10
All are true of the above work of art EXCEPT
it was painted by Jan Van Eyck in 1434
it's the Arnolfini Portrait objects in the room hold religious significance
it is believed to be a legal document of a marriage
the advancement of tempera paint made the hyper-realism possible
11
In an etching, this is used to create a line on the printing plate
encaustic
acid
a burin to carve out he metal
gestural qualities
12
The work is part of a larger series by Hogarth that has the overall theme of the
value of maintaining one's personal reputation
tragedy of unrequited love
complications caused by romantic bonds
folly of marriages of convenience
13
The union of mythological gods and allegorical figures with real people as seen in the Peter Paul Rubens painting
Seated Scribe
Hunters in the Snow
Frieze from Altar of Zeus and Athena
Code of Hammurabi
14
The following is true of this image EXCEPT
inspired by Asian decorative arts
narrative of the Virgin's appearance to Juan Diego depicted in the roundels
it was created by Miguel Gonzalez and depicts the Virgin of Guadalupe
this work is purely inspired by indigenous materials and techniques
15
The work above can be linked to Michelangelo’s Sistine Chapel ceiling frescoes through the works
incorporation of mythological figures
blurred distinction between painting and architecture
division of a narrative into separate episodes
blending of painted and stucco figures
16
An example of the content on the screen side on the right would be
trade with Japan was introduced & Asian objects influenced indigenous works
it is made of tempera and resin on wood, shell inlay
it depicts a hunting scene
the Circle of the Gonzales family created it
17
The innovation that gave the artist the ability to paint in hyper-realistic detail by using glazes of
oil paint
gold gilding
encaustic
tempera paint
18
The painting shown can be attributed to the Master of Calamarca (La Paz School) because of its representation of
a dense network of hidden symbolism
a winged figure in the uniform of a Dutch soldier
an angel in the dress of an Andean nobleman
a form of applied enconchado decoration
19
All the above are true of the above altarpiece EXCEPT
It is a polyptych
the foot or predrella features the Lamentation of Christ
the calm and ordered composition fits within the culture and time period
when fully opened, there are religious sculptures
20
Works like Cranach’s Allegory of Law and Grace would have appealed to a wide audience because
people believed that buying them would improve their chances of salvation
It was believed that they were holy objects possessed healing properties
prints on paper were a novelty and therefore considered status symbols
woodcuts were inexpensive and could be reproduced in large quantities
21
All are true of the above work of architecture EXCEPT
the architect was a trained stone cutter and sculptor
the facade features balustrades, an oval and undulating form
Church name is derived from the fact that there are three fountains nearby
deeply coffered oval dome seems to float on the light from hidden windows
22
Some art historians have theorized that the artist included a mirror in the background in order to
include a hidden portrait of himself in a painting depicting royalty
symbolize the wisdom of the young princess depicted in the painting
warn the members of the royal court against the sins of vanity
the viewer is seeing the painting from the perspective of the king & queen
23
The figure at the far right represents
the personification of France
the allegory of war
the future queen of France
the embodiment of love
24
The artist and culture/time period of the Isenheim altarpiece
Robert Campin, Early Northern (Flemish) Renaissance
Matthias Grunewald, High Northern (German) Renaissance
Robert Campin, Early Northern (Flemish) Renaissance
Albrecht Dürer, High Northern (German) Renaissance
25
This work was created for a chapel attached to
a church dedicated to Saint Anthony
a hospital dedicated to skin diseases
the Vatican
the Hapsburg palace in Germany
26
Which of the following is the prime reason why the public and patron's found the work objectionable?
leggings that distracted everyone
he worked to discredit bishops, pope and kings and tainted by association
he copied directly from Renaissance masters making his work not innovative
saintly figures have earthly characteristics, and shocked church officials
27
Stylistic conventions of the Italian Baroque period like the work above include
use of fresco and oil and tempera paint together in a single work of art
Multiple anthropomorphic figures in a single work of art
static figures occupying architectural spaces illustrating order over chaos
multiple media and materials used in a single work of art
28
The work was created by
Diego Velazquez
Francesco Borromini
Giovanni Battista Gaulli
Gianlorenzo Bernini
29
Sandro Botticelli’s Birth of Venus and Albrecht Dürer’s engraving Adam and Eve are similar in that both artists
used decorative patterning and harmonious colors to create serene images
set their figures in exotic landscapes that were intriguing to the viewers
relied on classical models to represent the concept of ideal beauty
combined deep space with dramatic light to create emotional scenes
30
Vermeer’s paintings of Woman Holding a Balance and Rachel Ruysch’s still life painting convey meaning in similar way
combining stylized animal and plant forms to create a decorative effect
using depictions of everyday objects to communicate a moral message
depicting allegorical scenes in the service of political propaganda
including written text that provides a commentary on the subject matter
31
The following is true of this image EXCEPT
the painting offers glimpses into the lives of prosperous Dutch citizens
the camera obscura was used to meticulously depict the detail
the artist used subtle religious undertones
the painting depicts the Virgin Mary in a contemporary setting
32
The function of the above work relates most to
the dynamic composition that was meant to reinforce Church teaching
which side faced in a divided reception room
the colors used in the screen
The materials and techniques used in the work
33
In the Isenheim altarpiece, Christ's suffering is exaggerated by
natural color in a German landscape
the use of classical references and forms
serene faces with intense heavenly light
the use of heavy elongated and distorted figures and pockmarked skin

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